Milieu

supposition maybe conjecture

Jesson-Hill, Angi Nend, Paul Wyler, Julia Znoj

17.02.2019 —23.03.2019

supposition maybe conjecture

Exhibition view

supposition maybe conjecture supposition maybe conjecture

Jesson-Hill, Deluxe (excerpts), video loop, 7‘07", 2015

Jesson-Hill, Deluxe, video loop, 7‘07", 2015

supposition maybe conjecture

Exhibition view

supposition maybe conjecture

Julia Znoj, Give Away: supply sore no more, metal scratched, isomalt sugar, food colouring, paper, glitter, various sizes, 2019

supposition maybe conjecture

Julia Znoj, Give Away: supply sore no more, metal scratched, isomalt sugar, food colouring, paper, glitter, various sizes, 2019

supposition maybe conjecture supposition maybe conjecture

Julia Znoj, Actualize, supply sore no more, metal scratched, isomalt sugar, food colouring, paper, glitter, 83 x 56 x 100cm, 2019

supposition maybe conjecture supposition maybe conjecture

Julia Znoj, Actualize (Detail), supply sore no more, metal scratched, isomalt sugar, food colouring, paper, glitter, 83 x 56 x 100cm, 2019

supposition maybe conjecture

Exhibition view

Angi Nend, In Consideration of Zoé, binaural recording, loop ca. 55‘, stereo, 2019

supposition maybe conjecture

Paul Wyler, Homo Cumulus, Polyurethan, ø ca. 75cm, 2019

opening bracket
hypotheses are not true but are not false but are neither or both. they must be tested.

hypothesis #1
in the end, immanence is inescapable. transcendence can be communicated and is commodifiable but cannot be substantiated.

hypothesis #2
the "rational" is outsourced to computing entities and agents. it has been resorted to seeing the decisive human characteristic to be "creativity" and an "emotional" understanding. data is for computers - feelings are for humans. data and feelings are exclusive.

hypothesis #3
bodies function as screens. they are merely projected on to. they do not project on to. the superficial is the conveyable.

closing bracket
these hypotheses do not correlate or condition each other but they may inform pattern(s).

this exhibition is organized by Clifford E. Bruckmann

Images: Claude Barrault